{"id":4916,"date":"2017-04-11T16:53:02","date_gmt":"2017-04-11T14:53:02","guid":{"rendered":"http:\/\/www.svetelnydesign.cz\/?p=4916"},"modified":"2017-04-11T18:37:55","modified_gmt":"2017-04-11T16:37:55","slug":"cena-za-svetelny-design-na-ceske-tanecni-platforme-2017","status":"publish","type":"post","link":"https:\/\/www.svetelnydesign.cz\/en\/blog\/2017\/04\/11\/cena-za-svetelny-design-na-ceske-tanecni-platforme-2017\/","title":{"rendered":"Cena za sv\u011bteln\u00fd design na \u010cesk\u00e9 tane\u010dn\u00ed platform\u011b 2017"},"content":{"rendered":"<p><strong>Dev\u00e1t\u00fd ro\u010dn\u00edk Ceny za sv\u011bteln\u00fd design zn\u00e1 sv\u00e9ho v\u00edt\u011bze (respektive v\u00edt\u011bzku)! V r\u00e1mci p\u0159ed\u00e1n\u00ed cen \u010cesk\u00e9 tane\u010dn\u00ed platformy si trofej ud\u011blovanou za nejlep\u0161\u00ed sv\u011bteln\u00fd design uplynul\u00e9ho roku odnesla Katar\u00edna \u010euricov\u00e1 za p\u0159edstaven\u00ed <em>Flow<\/em>\u00a0<\/strong><strong>tan\u010den\u00ed\u00a0skupiny\u00a0VerTeDance v re\u017eii Ji\u0159\u00edho Havelky. Sv\u011bteln\u00e1 design\u00e9rka Katar\u00edna \u010euricov\u00e1 si tak p\u0159ipsala ji\u017e druh\u00e9 v\u00edt\u011bzstv\u00ed t\u00e9to ceny; poprv\u00e9 to bylo v roce 2014 a to za po\u010din\u00a0Korekce (op\u011bt z produkce VerTeDance a s re\u017ei\u00ed Ji\u0159\u00edho Havelky).\u00a0<\/strong><\/p>\n<p><strong>P\u0159e\u010dt\u011bte si kompletn\u00ed\u00a0vyj\u00e1d\u0159en\u00ed odborn\u00e9 poroty, kter\u00e1 zasedla ve slo\u017een\u00ed Mark\u00e9ta Fantov\u00e1, Vladim\u00edr Burian a Richard Loskot:<\/strong><\/p>\n<p><span style=\"font-weight: 400;\"><strong><img decoding=\"async\" loading=\"lazy\" class=\" wp-image-4927 alignleft\" src=\"https:\/\/www.svetelnydesign.cz\/wp-content\/uploads\/2017\/04\/cena-300x225.jpg\" alt=\"\" width=\"309\" height=\"232\" srcset=\"https:\/\/www.svetelnydesign.cz\/wp-content\/uploads\/2017\/04\/cena-300x225.jpg 300w, https:\/\/www.svetelnydesign.cz\/wp-content\/uploads\/2017\/04\/cena-768x576.jpg 768w, https:\/\/www.svetelnydesign.cz\/wp-content\/uploads\/2017\/04\/cena-440x330.jpg 440w, https:\/\/www.svetelnydesign.cz\/wp-content\/uploads\/2017\/04\/cena.jpg 960w\" sizes=\"(max-width: 309px) 100vw, 309px\" \/><\/strong>P\u0159edstaven\u00ed <em><strong>Flow<\/strong><\/em> stoj\u00ed na hranici mezi p\u0159edstaven\u00edm a um\u011bleckou instalac\u00ed. Tento pocit je v\u00fdrazn\u011b podpo\u0159en pr\u00e1v\u011b zvolen\u00fdm sv\u011bteln\u00fdm designem. Sc\u00e9nografie slo\u017een\u00e1 z r\u016fzn\u00fdch artefakt\u016f zav\u011b\u0161en\u00fdch v prostoru vytv\u00e1\u0159\u00ed dojem zmrazen\u00e9ho \u010dasu (\u201ebullet time\u201c). Na podlaze instalaci r\u00e1muje b\u00edl\u00fd baletizol a celkov\u011b v\u0161e p\u016fsob\u00ed jako v\u00fdsek z v\u011bt\u0161\u00edho celku. To podporuje \u201eartefici\u00e1lnost\u201c sc\u00e9ny, v\u0161e vn\u00edm\u00e1me jako \u201evystavenou\u201c \u010d\u00e1st reality\/celku n\u011bkde v galerii. Tento aspekt p\u0159edstaven\u00ed je podpo\u0159en sv\u011bteln\u011b jednak zvolenou vysokou \u00farovn\u00ed jas\u016f a jednak plo\u0161n\u00fdm nasv\u00edcen\u00edm inkriminovan\u00e9 \u010d\u00e1sti sc\u00e9ny. Vysok\u00fd kontrast v\u016f\u010di pozad\u00ed pak podporuje onen pocit, \u017ee se d\u00edv\u00e1me do v\u00fdstavn\u00ed vitr\u00edny.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">P\u0159edstaven\u00ed samo se to\u010d\u00ed okolo vn\u00edm\u00e1n\u00ed \u010dasu, zvolen\u00fd pohybov\u00fd slovn\u00edk pak jasn\u011b odkazuje k plynut\u00ed, k neuzav\u0159enosti a neukon\u010denosti. I v tomto aspektu je sv\u011bteln\u00fd design pln\u011b ve slu\u017eb\u00e1ch celkov\u00e9ho konceptu. P\u0159edstaven\u00ed neza\u010d\u00edn\u00e1 (pouze se \u010dasem pomalu zhasnou div\u00e1ck\u00e9 sv\u011btla), v\u0161echny zm\u011bny jsou opravdu pomal\u00e9 a v podstat\u011b nepost\u0159ehnuteln\u00e9. Paradoxn\u011b k v\u00fd\u0161e napsan\u00e9mu to ov\u0161em neznamen\u00e1, \u017ee tam v\u00fdznamn\u00e9 zm\u011bny nejsou. Naopak \u2013 v tomto p\u0159edstaven\u00ed m\u016f\u017eeme skute\u010dn\u011b ocenit rozd\u00edl ve sm\u011brech sv\u011btel. A to kdy\u017e se z plo\u0161n\u00e9ho n\u00e1svitu stejn\u00e9 barevnosti b\u011bhem dlouh\u00e9ho \u010dasu vytrat\u00ed p\u0159edn\u00ed sv\u011btla. Najednou m\u00e1me p\u0159ed sebou siln\u011b kontrastn\u00ed v\u00fdjev, fyzicky ale v podstat\u011b st\u00e1le stejn\u00fd. A tato zm\u011bna m\u016f\u017ee b\u00fdt t\u00edm p\u00e1dem op\u011bt vn\u00edm\u00e1na a vysv\u011btlena \u00a0&#8211; jako p\u016fsoben\u00ed \u010dasu, kdy realitu nahl\u00ed\u017e\u00edme v jin\u00fd \u010das. Stejn\u011b se pracovalo z barevnost\u00ed, kdy z\u00e1kladn\u00ed studen\u00e1 a tepl\u00e1 atmosf\u00e9ra st\u0159\u00edd\u00e1n\u00edm odkazuje ke st\u0159\u00edd\u00e1n\u00ed \u010dasu b\u011bhem dne. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Do u\u017e\u0161\u00edho v\u00fdb\u011bru se dostaly tito sv\u011bteln\u00ed design\u00e9\u0159i \u2013<\/strong> \u00a0<img decoding=\"async\" loading=\"lazy\" class=\"wp-image-4884 alignright\" src=\"https:\/\/www.svetelnydesign.cz\/wp-content\/uploads\/2017\/03\/Cena2017-web-300x175.jpg\" alt=\"\" width=\"404\" height=\"235\" srcset=\"https:\/\/www.svetelnydesign.cz\/wp-content\/uploads\/2017\/03\/Cena2017-web-300x175.jpg 300w, https:\/\/www.svetelnydesign.cz\/wp-content\/uploads\/2017\/03\/Cena2017-web-440x257.jpg 440w, https:\/\/www.svetelnydesign.cz\/wp-content\/uploads\/2017\/03\/Cena2017-web.jpg 542w\" sizes=\"(max-width: 404px) 100vw, 404px\" \/><\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Tom\u00e1\u0161 Mor\u00e1vek<\/strong> (<em>You are here<\/em>) za technologickou originalitu i dramaturgick\u00e9 propojen\u00ed s dal\u0161\u00edmi slo\u017ekami p\u0159edstaven\u00ed. Origin\u00e1ln\u00ed sestaven\u00e9 sv\u00edtidlo osazen\u00e9 origin\u00e1ln\u00edmi zdroji z\u00e1rove\u0148 sv\u00fdm tvarem a um\u00edst\u011bn\u00edm podporovala prostorov\u00fd koncept p\u0159edstaven\u00ed, pou\u017eit\u00ed monochronn\u00edho sv\u011btla n\u00edzkotlak\u00e9 v\u00fdbojky korespondovalo dramaturgicky s d\u011bn\u00edm na sc\u00e9n\u011b, nav\u00edc bylo podpo\u0159eno \u201especifickou\u201c hudebn\u00ed atmosf\u00e9rou. Light design\u00e9rskou \u201elib\u016fstkou\u201c je problik\u00e1v\u00e1n\u00ed v\u00fdbojky, kdy je um\u011ble do sv\u011bteln\u00e9 akce zakomponov\u00e1no st\u00e1\u0159\u00ed zdroje.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Michal Hor\u00e1\u010dek<\/strong> (<em>Sv\u011bcen\u00ed jara<\/em>) za p\u0159esv\u011bd\u010divou atmosf\u00e9ru, kter\u00e9 doc\u00edlil pom\u011brn\u011b \u00fasporn\u00fdmi prost\u0159edky. Nad\u010dasov\u00e9 prost\u0159ed\u00ed blat za vesnic\u00ed (kde se Sv\u011bcen\u00ed jara zcela jist\u011b odehr\u00e1v\u00e1) vykreslil pomoc\u00ed kombinace zelen\u00fdch a tepl\u00fdch korekc\u00ed. V\u0161e ve spr\u00e1vn\u011b zvolen\u00e9 intenzit\u011b a spr\u00e1vn\u011b nad\u00e1vkovan\u00e9mu mno\u017estv\u00ed d\u00fdmu. \u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Perikles Mathiellis<\/strong> (<em>Black Black Woods<\/em>) za \u010distotu a \u201eneviditelnost\u201c sv\u011bteln\u00e9ho designu. V\u00fdrazn\u00e9 sv\u011bteln\u00e9 zm\u011bny podporuj\u00ed d\u011bn\u00ed na sc\u00e9n\u011b a intezity jsou voleny s velkou citlivost\u00ed. Se sv\u011btly se \u201ene\u010daruje\u201c, co\u017e je (zvl\u00e1\u0161t\u011b) u tohoto p\u0159edstaven\u00ed dob\u0159e.<\/span><\/p>\n<p><strong>Porotci 9. ro\u010dn\u00edku: Mark\u00e9ta Fantov\u00e1, Vladim\u00edr Burian, Richard Loskot<\/strong><\/p>\n<p><strong>Flow | VerTeDance, Beata Hlavenkov\u00e1, Ji\u0159\u00ed Havelka<\/strong><\/p>\n<p><iframe loading=\"lazy\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/QyAFvFd2q3Y?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><strong>You Are Here | Petra Tejnorov\u00e1, Petr Vi\u0148arsk\u00fd a kol.<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/181541654\" width=\"500\" height=\"281\" frameborder=\"0\" title=\"YOU ARE HERE (OFFICIAL TEASER)\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/p>\n<p><strong>Sv\u011bcen\u00ed jara | Konzervato\u0159 Duncan centre, Ji\u0159\u00ed Bartovanec<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/169498922\" width=\"500\" height=\"281\" frameborder=\"0\" title=\"Konzervato\u0159 Duncan centre a Ji\u0159&iacute; Bartovanec - Sv\u011bcen&iacute; jara\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/p>\n<p><strong>BLACK BLACK WOODS | Jozef Fru\u010dek, Linda Kapetanea<\/strong><\/p>\n<p><iframe loading=\"lazy\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/AmDwHHfE3HA?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><em>Fotky ji\u017e brzy<\/em><\/p>\n<p><strong>Historie v\u00edt\u011bz<span lang=\"cs-CZ\">\u016f<\/span> Ceny za sv\u011bteln\u00fd design na \u010cesk\u00e9 tane\u010dn\u00ed platform\u011b:<\/strong><\/p>\n<p>2016 \u2013 kolektiv V\u011bry Ondra\u0161\u00edkov\u00e9 (<em>Guide<\/em>)<br \/>\n2015 \u2013 Ann Van den Broek a Adam Uzelac (<em>Phrasing the Pain<\/em>)<br \/>\n2014 \u2013 kolektiv Barbory L\u00e1talov\u00e9 (<em>Karneval zv\u00ed\u0159at<\/em>) a Katar\u00edna \u010euricov\u00e1 (<em>Korekce<\/em>)<br \/>\n2013 \u2013 Martin \u0160petl\u00edk (<em>One Step Before the Fall<\/em>)<br \/>\n2012 \u2013 Pavel Kotl\u00edk (<em>Found &amp; Lost<\/em>)<br \/>\n2011 \u2013 Pavla Beranov\u00e1 (<em>Sacrebleu<\/em>)<br \/>\n2010 \u2013 Jan Kom\u00e1rek (<em>Gaia, Zlo\u010din a trest, Tore<\/em>)<br \/>\n2009 \u2013 Tom\u00e1\u0161 Mor\u00e1vek (<em>Da Capo<\/em>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dev\u00e1t\u00fd ro\u010dn\u00edk Ceny za sv\u011bteln\u00fd design zn\u00e1 sv\u00e9ho v\u00edt\u011bze (respektive v\u00edt\u011bzku)! V r\u00e1mci p\u0159ed\u00e1n\u00ed cen&#8230;<\/p>\n","protected":false},"author":9,"featured_media":4884,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[204],"tags":[],"translation":{"provider":"WPGlobus","version":"2.12.2","language":"en","enabled_languages":["cz","en"],"languages":{"cz":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts\/4916"}],"collection":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/comments?post=4916"}],"version-history":[{"count":11,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts\/4916\/revisions"}],"predecessor-version":[{"id":4931,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts\/4916\/revisions\/4931"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/media\/4884"}],"wp:attachment":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/media?parent=4916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/categories?post=4916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/tags?post=4916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}