{"id":3600,"date":"2016-06-15T21:35:20","date_gmt":"2016-06-15T19:35:20","guid":{"rendered":"http:\/\/www.svetelnydesign.cz\/?p=3600"},"modified":"2019-07-14T11:22:25","modified_gmt":"2019-07-14T09:22:25","slug":"svet-a-divadlo-032016","status":"publish","type":"post","link":"https:\/\/www.svetelnydesign.cz\/en\/blog\/2016\/06\/15\/svet-a-divadlo-032016\/","title":{"rendered":"SV\u011aT A DIVADLO 03\/2016"},"content":{"rendered":"
\n
SV\u011aT A DIVADLO \/ SAD 3\/2016<\/b><\/span><\/div>\n
<\/b>t\u0159et\u00ed \u010d\u00edslo XXVII. ro\u010dn\u00edku \u010dasopisu o sv\u011bt\u011b divadla a divadle sv\u011bta vy\u0161lo <\/b>10. \u010dervna 2016<\/b><\/u><\/u><\/u><\/b><\/div>\n
<\/u>\u00a0<\/u><\/b><\/div>\n
DIGIT\u00c1LN\u00cd\u2026 SNY <\/span><\/b>
\n<\/b>Miroslav Pet\u0159\u00ed\u010dek<\/u><\/b>: Digit\u00e1ln\u00ed prom\u011bna postmoderny (Robert Samuels: Auto-moderna po postmodern\u011b: autonomie a automati\u010dnost v\u00a0kultu\u0159e, technologii a v\u00fdchov\u011b)
\nRalf Burger<\/u><\/b>: Skryt\u00fd \u017eivot stroj\u016f<\/div>\n
Basit Alvi<\/u><\/b>: Kom(p)unismus
\nJakub \u0160korpil<\/b><\/u>: L\u00e1tka, z\u00a0n\u00ed\u017e sp\u0159\u00e1daj\u00ed se\u2026 (Erben: Sny<\/b>,<\/i> autorsk\u00fd t\u00fdm V.\u0160v\u00e1bov\u00e1, T.Proch\u00e1zka, R.Smol\u00edk, L.Krop\u00e1\u010dek, J.D\u00f6rner a J.Hybler, produkce jedefrau.org<\/a>, Handa Gote Research <\/i>& <\/span><\/i>Development; Eleusis, <\/b>p\u0159ipravili V.\u0160v\u00e1bov\u00e1, J.D\u00f6rner, J.Hybler, T.Proch\u00e1zka, R.Smol\u00edk a M.Svato\u0161, produkce jedefrau.org<\/a>, Handa Gote Research <\/i>& <\/span><\/i>Development – oboj\u00ed v\u00a0Alfr\u00e9du ve dvo\u0159e)<\/u><\/u><\/i><\/div>\n
<\/u>\u00a0<\/u><\/i><\/div>\n
MLAD\u00c1\u2026 N\u00c1RODN\u00cd KREV
\n<\/span><\/b>Josef Rube\u0161<\/u><\/b>:<\/b> Spole\u010denstvo nov\u00e9 krve \/o herectv\u00ed nejmlad\u0161\u00ed generace \u010dinohry ND\/\u00a0 (William Shakespeare: Othello, ben\u00e1tsk\u00fd mou\u0159en\u00edn<\/b>, re\u017eie Daniel \u0160pinar, Stavovsk\u00e9 divadlo; Mike Bartlett: Zem\u011bt\u0159esen\u00ed v Lond\u00fdn\u011b<\/b>, re\u017eie D.\u0160pinar, Nov\u00e1 sc\u00e9na; Anja Hillingov\u00e1: Spolu\/Sami<\/b>, re\u017eie D.\u0160pinar, Nov\u00e1 sc\u00e9na; Maurice Maeterlinck: Modr\u00fd pt\u00e1k<\/b>, re\u017eie \u0160t\u011bp\u00e1n P\u00e1cl, Stavovsk\u00e9 divadlo; Caryl Churchillov\u00e1: L\u00e1ska a informace<\/b>, re\u017eie Petra Tejnorov\u00e1, Nov\u00e1 sc\u00e9na; V\u00edt\u011bzslav Nezval: Manon Lescaut<\/b>, re\u017eie D.\u0160pinar, N\u00e1rodn\u00ed divadlo; Lenka Lagronov\u00e1: Jako b\u0159itva (N\u011bmcov\u00e1)<\/b>, re\u017eie \u0160.P\u00e1cl, Stavovsk\u00e9 divadlo)<\/i> <\/u><\/u><\/div>\n
<\/u>\u00a0<\/u><\/div>\n
P\u016eLTUCET\u2026 MIKUL\u00c1\u0160K\u016e
\n<\/span><\/b>Barbora Etl\u00edkov\u00e1<\/u><\/b>: <\/b>Od obraz\u016f k\u00a0souh\u0159e? (Karel Franti\u0161ek Tom\u00e1nek: Kafka \u201824<\/b>, re\u017eie Jan Mikul\u00e1\u0161ek, Dejvick\u00e9 Divadlo; Kol.: St\u0159epy a chleb\u00ed\u010dky<\/b>, re\u017eie J.Mikul\u00e1\u0161ek, 11:55; Boris Pasternak: Doktor \u017divago<\/b>, re\u017eie J.Mikul\u00e1\u0161ek, Divadlo Na z\u00e1bradl\u00ed, Roger Vitrac: Viktor aneb D\u00edtka u moci<\/b>, re\u017eie J.Mikul\u00e1\u0161ek, Divadlo v\u00a0Dlouh\u00e9; J.Mikul\u00e1\u0161ek, Dora Vicen\u00edkov\u00e1 a kol.: Hamleti<\/b>, re\u017eie J.Mikul\u00e1\u0161ek, Divadlo Na z\u00e1bradl\u00ed)<\/i>
\nVladim\u00edr Mikulka<\/u><\/b>: Posedlost odnikud nikam (J.Mikul\u00e1\u0161ek, Dora Vicen\u00edkov\u00e1 a kol.: <\/i>Posedlost<\/i><\/b>, re\u017eie J.Mikul\u00e1\u0161ek, Divadlo Na z\u00e1bradl\u00ed)<\/u><\/u><\/i><\/div>\n
<\/u>\u00a0<\/u><\/i><\/div>\n
\u0160TVANICE\u2026 A geissler\u016f TYGR LET\u00cd
\n<\/span><\/b>Cestou k\u00a0VILE (rozhovor Vladim\u00edra Mikulky s\u00a0\u0159editelem VILY \u0160tvanice Ivo Kristi\u00e1nem\u00a0Kub\u00e1kem<\/u><\/b>)
\nAd\u00e9la Vondr\u00e1kov\u00e1<\/u><\/b>: \u017divot na ostrov\u011b \u0160tvanice (Boudn\u00edk, Nov\u00e1kov\u00e1, Burianov\u00e1: <\/i>Explosis, <\/i><\/b>re\u017eie Z.Burianov\u00e1 a F.Illies, M.Nov\u00e1kov\u00e1, I.K.Kub\u00e1k: <\/b><\/i>1913. L\u00e9to jednoho stolet\u00ed, <\/i><\/b>re\u017eie I.K.Kub\u00e1k a M. Nov\u00e1kov\u00e1, oboj\u00ed Tygr v\u00a0t\u00edsni; J.Maksymov, Geisslers Hofcomoedianten: <\/i>J\u00e1 jsem Krabat,<\/i><\/b> re\u017eie J.Maksymov a G.B.Andreini a Geisslers Hofcomoedianten: <\/i>Magdal\u00e9na lascivn\u00ed a kaj\u00edcn\u00e1<\/i><\/b>, re\u017eie P.Ha\u0161ek, oboj\u00ed Geisslers Hofcomoedianten; D.Greene: 8 GB tvrd\u00fdho porna<\/b>, re\u017eie P.Ha\u0161ek a F.Richter: Small Town Boy<\/b>, re\u017eie M.Amsler, oboj\u00ed Divadlo Let\u00ed)<\/i>
\nVladim\u00edr Mikulka<\/u><\/b>: B\u00fdti (prvn\u00ed) d\u00e1mou, to se nelze nau\u010dit (Anna Saavedra: Olga (Horrory z Hr\u00e1de\u010dku)<\/b>, re\u017eie M.Schlegelov\u00e1, Divadlo LET\u00cd ve VILE \u0160tvanice)
\n<\/i>Jakub \u0160korpil<\/u><\/b>: Vypr\u00e1v\u011bj podrobn\u011b \/Opri\u010dn\u00edk ve VILE\/ (V.Sorokin, V.Benderski, M.Nov\u00e1kov\u00e1: Den opri\u010dn\u00edka<\/b>, re\u017eie I.K.Kub\u00e1k a M.Nov\u00e1kov\u00e1, Tygr v\u00a0t\u00edsni ve VILE \u0160tvanice)<\/u><\/u><\/i><\/div>\n
<\/div>\n

CIRKUS\u2026 OD EA EO PO AEREO<\/strong><\/span><\/p>\n<\/div>\n

Vladim\u00edr Mikulka<\/strong><\/u>: Zvesela na Cirkopolis (Jordaan De Cuyper, Sander De Cuyper, Bram Dobbelaere, \u00c9ric Longequel, Neta Oren: <\/i>All the Fun, Compagnie EaEo; Sanja Kosonen, Elice Abonce Muhonen: <\/i>Capilotract\u00e9es, Galapiat Cirque<\/i><\/span>)
\nKarel Kr\u00e1l<\/strong><\/u>:<\/strong> Samej g\u00e9nius \u2013 samej idiot \/jatka seversk\u00e9ho cirkusu\/ (All Genius All Idiot, <\/i>um\u011bleck\u00e1 spolupr\u00e1ce P.Jasko, Svalbard Company, \u0160v\u00e9dsko, Jatka78 Praha; The Pianist<\/i>, koncepce a re\u017eie\u00a0<\/i>T.Monckton & <\/i>S.Silvennoinen, Circo Aereo, Finsko-Francie a T.Monckton, Nov\u00fd Z\u00e9land; Opaque<\/i>, re\u017eie M.Komaro, Circo Aereo, Finsko-Francie, Jatka78, Praha<\/i>)<\/u><\/u><\/span><\/div>\n
<\/u>\u00a0<\/u><\/div>\n
OPERA\u2026 KOMISCHE AN DER WIEN
\n<\/span><\/b>Lenka \u0160aldov\u00e1<\/u><\/b>: Homosexu\u00e1ln\u00ed \u017eidovsk\u00fd klokan v\u00a0Berl\u00edn\u011b (Arnold Sch\u00f6nberg: Moj\u017e\u00ed\u0161 a \u00c1ron<\/b>, dirigent V.Jurowski, re\u017eie <\/i>B.Kosky, sbormistr D.Cavelius, choreografie H.T.Aslan; Wolfgang Amadeus Mozart: Kouzeln\u00e1 fl\u00e9tna<\/b>, dirigent H.N\u00e1n\u00e1si, koncepce \u201e1927\u201c (S.Andrade,\u00a0P.Barritt) a B.Kosky, re\u017eie S.Andrade a\u00a0B.Kosky; Jacques Offenbach: Hoffmannovy pov\u00eddky<\/b>, dirigent S.Blunier, re\u017eie B.Kosky; Petr Ilji\u010d \u010cajkovskij: Ev\u017een On\u011bgin<\/b>, dirigent H.N\u00e1n\u00e1si, re\u017eie B.Kosky, – v\u0161e Komische Oper Berlin; Sergej Prokofjev: Ohniv\u00fd and\u011bl<\/b>, dirigent V.Jurowski, re\u017eie B.Kosky, Bayerische Staatsoper, Mnichov<\/i>)
\n<\/i>Michaela Moj\u017ei\u0161ov\u00e1<\/u><\/b>: Moslim a mana\u017e\u00e9rka \/Otello a Agrippina vo Viedni\/ (Gioachino Rossini: Otello<\/b>, hudobn\u00e9 na\u0161tudovanie A.Manacorda, r\u00e9\u017eia D.Michieletto; Georg Friedrich H\u00e4ndel: Agrippina<\/b>, hudobn\u00e9 na\u0161tudovanie T.Hengelbrock, r\u00e9\u017eia R.Carsen \u2013 oboj\u00ed Theater an der Wien)<\/u><\/u><\/i><\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
\n<\/b>V ANGLII\u2026 I SHAKESPEAROVA DCERA
\n<\/span><\/b>Eva Dan\u00ed\u010dkov\u00e1<\/u><\/b>: Jedna \u017eena za druhou (Penelope Skinner: <\/i>Linda<\/i><\/b>, re\u017eie M.Longhurst, Royal Court Theatre<\/i>)
\nHana Pavelkov\u00e1<\/u><\/b>: Mohou d\u011bti b\u00fdt je\u0161t\u011b d\u011btmi? (Simon Stephens: <\/i>Volavky (Herons),<\/b> re\u017eie S.Holmes, Lyric Hammersmith<\/i>)
\nDana Silbiger-Sliukov\u00e1<\/u><\/b>: Rodinn\u00e9 tajomstv\u00e1 (Eugen O\u2019Neill:<\/i><\/span> Cesta dlh\u00e9ho d\u0148a do noci<\/b>, r\u00e9\u017eia R.Eyre, Bristol Old Vic; Peter Whelan: Ustlan\u00e9 na bylink\u00e1ch \u2013 Tajn\u00fd \u017eivot Shakespearovej dc\u00e9ry <\/b>(The Herbal Bed \u2013 The Secret Life of Shakespeare<\/b><\/span><\/i>\u2019<\/span><\/i><\/b>s Daughter<\/i><\/b>)<\/i>, r\u00e9\u017eia J.Dacre, English Touring Theatre a\u00a0Rose Theatre Kingston<\/span><\/i>)<\/u><\/u><\/span><\/div>\n
<\/u>\u00a0<\/u><\/span><\/div>\n
NORSK\u00dd\u2026 SKLADATEL DRAMATU
\n<\/span><\/b>Kde nejsou pochyby\u2026 – dramatik Fredrik Brattberg<\/u><\/b> v\u00a0SADa\u0159sk\u00e9m rozhovoru (ptala se <\/i>Karol\u00edna <\/span><\/i>Stehl\u00edkov\u00e1<\/i>)<\/u><\/u><\/div>\n
<\/u>\u00a0<\/u><\/div>\n
HRA:<\/span><\/b> FREDRIK BRATTBERG: \u00a0N\u00c1VRATY<\/u><\/b> <\/i>(z norsk\u00e9ho origin\u00e1lu <\/em>Tilbakekomstene p\u0159elo\u017eila Karol\u00edna Stehl\u00edkov\u00e1<\/em>)<\/u><\/u><\/div>\n
<\/u>\u00a0<\/u><\/div>\n
COMEDY MIX\u2026<\/span><\/b>
\nV.A.D. Kladno <\/b>(uk\u00e1zky vybral Jan \u0160otkovsk\u00fd<\/i>)<\/u><\/u><\/div>\n
KALEIDOSKOP <\/span><\/b>zv\u011bst\u00ed ze sv\u011bta: Eva Dan\u00ed\u010dkov\u00e1, Nat\u00e1lie Preslov\u00e1, Zde\u0148ka Brandejsk\u00e1, Beata Kalinowska, Ji\u0159\u00ed Vondr\u00e1\u010dek, <\/i>D\u00e1ria Feh\u00e9rov\u00e1<\/i>
\n…I KOMIKS<\/span><\/b> S.d.Ch.: LEKCE DIVADELN\u00cdHO SADISMU <\/b>3 \u2013 TW Cen MT Condensed Extra Bold<\/u><\/u><\/div>\n","protected":false},"excerpt":{"rendered":"

SV\u011aT A DIVADLO \/ SAD 3\/2016 t\u0159et\u00ed \u010d\u00edslo XXVII. ro\u010dn\u00edku \u010dasopisu o sv\u011bt\u011b divadla a…<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.12.2","language":"en","enabled_languages":["cz","en"],"languages":{"cz":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts\/3600"}],"collection":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/comments?post=3600"}],"version-history":[{"count":6,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts\/3600\/revisions"}],"predecessor-version":[{"id":5850,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts\/3600\/revisions\/5850"}],"wp:attachment":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/media?parent=3600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/categories?post=3600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/tags?post=3600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}