{"id":2218,"date":"2015-10-23T14:33:47","date_gmt":"2015-10-23T12:33:47","guid":{"rendered":"http:\/\/www.svetelnydesign.cz\/\/?p=2218"},"modified":"2019-07-14T11:09:15","modified_gmt":"2019-07-14T09:09:15","slug":"svet-a-divadlo-42014","status":"publish","type":"post","link":"https:\/\/www.svetelnydesign.cz\/en\/blog\/2015\/10\/23\/svet-a-divadlo-42014\/","title":{"rendered":"Sv\u011bt a divadlo 4\/2014"},"content":{"rendered":"<p class=\"perex\">\u010dtvrt\u00e9 \u010d\u00edslo XXV. ro\u010dn\u00edku \u010dasopisu o sv\u011bt\u011b divadla a divadle sv\u011bta vy\u0161lo prvn\u00ed t\u00fdden v z\u00e1\u0159\u00ed<\/p>\n<p><strong>vyb\u00edr\u00e1me z obsahu \u010d\u00edsla:<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>VY\u0160ET\u0158OV\u00c1N\u00cd A STIHOMAM<\/strong><\/p>\n<p>Miroslav Pet\u0159\u00ed\u010dek: Dob\u0159e zd\u016fvodn\u011bn\u00fd stihomam (Luc Boltanski: St\u00e1t a spiknut\u00ed)<\/p>\n<p><strong>HRRRRRRRR<\/strong><\/p>\n<p>Jakub \u0160korpil: Hrdin\u0161t\u00ed Hrdinov\u00e9 (portr\u00e9t kubistickej) \u2013 Mileniny recepty, Citov\u00fd komediant, Pomocn\u00edk Walser<\/p>\n<p>M\u016fj z\u00e1jem o divadlo nevznikl z divadla sam\u00e9ho (rozhovor s Janem Hor\u00e1kem, dramaturgem a um\u011bleck\u00fdm \u0159editelem Studia Hrdin\u016f)<\/p>\n<p><strong>ROZTO\u010cIT DISK<\/strong><\/p>\n<p>Josef Rube\u0161: Rozcvi\u010dit zlehka imaginaci (Ji\u0159\u00ed Havelka, verze 2014) \u2013 Regulace Intimity v DISKu, Korekce, VerTeDance v Divadle Ponec, \u0160\u00edlenstv\u00ed v Divadle Na z\u00e1bradl\u00ed<\/p>\n<p>Michal Zah\u00e1lka: Divadlo \u0161\u0165astn\u00e9 generace (nad jednou sezonou Divadla Disk)<\/p>\n<p><strong>V\u00c1LKA(DOMOV)V\u00c1LKA<\/strong><\/p>\n<p>Karel Kr\u00e1l: Prvn\u00ed prohran\u00e1 sv\u011btov\u00e1 (vyhn\u00e1n\u00ed Roberta Wilsona N\u00e1rodn\u00edm divadlem) \u2013 1914<\/p>\n<p>Petr \u0160t\u011bdro\u0148: Stesk po domov\u011b a zlo\u010din Ch.Marthalera a Fronta L.Percevala v Hamburku<\/p>\n<p><strong>VYKR\u00daCAJ<\/strong><\/p>\n<p>Jana N\u00e1vratov\u00e1: Dido a Aeneas Reloaded Sashy Waltz v mnichovsk\u00e9 Bayerishe Staatsoper<\/p>\n<p>Petra Dotla\u010dilov\u00e1: Balet ND se vrac\u00ed k \u010desk\u00e9 hudb\u011b (Poln\u00ed m\u0161e, Guru, Stabat Mater, \u010cesk\u00e1 baletn\u00ed symfonie II.)<\/p>\n<p>Marie Zde\u0148kov\u00e1: \u010cek\u00e1n\u00ed na jaro (Handa Gote research &amp; development a Pasi M\u00e4kel\u00e4 v Alfredu ve dvo\u0159e)<\/p>\n<p><strong>WIENER WELT<\/strong><\/p>\n<p>Michaela Moj\u017ei\u0161ov\u00e1: M\u00fdtus podle Romea Castellucciho (Orfeo ed Eurydice, Wiener Festwochen)<\/p>\n<p>Milo Jur\u00e1ni: Multimedi\u00e1lna Malajzia Ho Tzu Nyena (Ten Thousand Tigers v Singapuru)<\/p>\n<p>Michaela Moj\u017ei\u0161ov\u00e1: Hanekeho laborat\u00f3rium citov (Cos\u00ec fan tutte, Teatro Real Madrid) a Mussbachov Haas (Bluthaus, Wiener Festwochen)<\/p>\n<p>Martina Ulmanov\u00e1: S Bogomolovem do Norska a zp\u011bt (Stavanger \u2013 Pulp People, Loty\u0161sko)<\/p>\n<p>So\u0148a \u0160imkov\u00e1: Castellucci kongeni\u00e1lny (Orfeo ed Eurydice)<\/p>\n<p><strong>SMRT A VZDOR<\/strong><\/p>\n<p>Viliam Klim\u00e1\u010dek: Vyroben\u00e9 na Slovensku<\/p>\n<p>Blix Unruh: \u0160\u00edlenstv\u00ed kritiky a pravda bl\u00e1zn\u016f<\/p>\n<p>\u201eVe fotbale fand\u00edm \u010cech\u016fm\u201c (rozhovor s Wolframem Lotzem)<\/p>\n<p><strong>HRY<\/strong><\/p>\n<p>WOLFRAM LOTZ: MAMKA (JEDNA SC\u00c9NA) &#8211; z n\u011bmeck\u00e9ho origin\u00e1lu p\u0159elo\u017eila Martina Schlegelov\u00e1<\/p>\n<p>WOLFRAM LOTZ: VELEMAR\u0160 &#8211; z n\u011bmeck\u00e9ho origin\u00e1lu p\u0159elo\u017eila Kate\u0159ina Bohadlov\u00e1<\/p>\n<p><strong>COMEDY MIX\u2026<\/strong><\/p>\n<p>Martin \u0160vehl\u00edk: Daniele Luttazzi a satira<\/p>\n<p>Daniele Luttazzi: Od sexu k politice<\/p>\n<p>KALEIDOSKOP ze sv\u011bta divadla&#8230;<\/p>\n<p>I KOMIKS HYNEK D\u0158\u00cdZHAL + PETR VODI\u010cKA: MORCEC &amp; H\u00c1DRY (epizoda 4: L\u00e9to \u2013 doba festival\u016f)<\/p>\n<p>Za finan\u010dn\u00ed p\u0159\u00edsp\u011bvek k vyd\u00e1n\u00ed tohoto \u010d\u00edsla pat\u0159\u00ed d\u00edk Ministerstvu kultury \u010cR<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u010dtvrt\u00e9 \u010d\u00edslo XXV. ro\u010dn\u00edku \u010dasopisu o sv\u011bt\u011b divadla a divadle sv\u011bta vy\u0161lo prvn\u00ed t\u00fdden v&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3858,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.12.2","language":"en","enabled_languages":["cz","en"],"languages":{"cz":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts\/2218"}],"collection":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/comments?post=2218"}],"version-history":[{"count":3,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts\/2218\/revisions"}],"predecessor-version":[{"id":3860,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts\/2218\/revisions\/3860"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/media\/3858"}],"wp:attachment":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/media?parent=2218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/categories?post=2218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/tags?post=2218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}