P\u00e1t\u00e9 \u010d\u00edslo XXV. ro\u010dn\u00edku \u010dasopisu o sv\u011bt\u011b divadla a divadle sv\u011bta vy\u0161lo v druh\u00e9 polovin\u011b \u0159\u00edjna.<\/p>\n
VY\u0160ET\u0158OV\u00c1N\u00cd A \u00daNIK<\/strong><\/p>\n Miroslav Pet\u0159\u00ed\u010dek: \u010c\u00edhav\u00fd pohled spiknut\u00ed (Luc Boltanski: Sv\u011bt, p\u0159ed kter\u00fdm nen\u00ed \u00faniku)<\/p>\n 1 + 1 = SKUTR<\/strong><\/p>\n Karel Kr\u00e1l: Pataputy (p\u016fltucet jednoho tandemu) \u2013 \u010carod\u011bj\u016fv u\u010de\u0148 v N\u00e1rodn\u00edm divadle; Sen noci svatoj\u00e1nsk\u00e9 na Letn\u00edch shakespearovsk\u00fdch slavnostech; Maugl\u00ed (jsme jedn\u00e9 krve) v Divadle Kalich; Labut\u00ed jezero, Klicperovo divadlo Hradec Kr\u00e1lov\u00e9, Human Locomotion na sc\u00e9n\u011b Laterny magiky \u2013 ND; Nesm\u00edrn\u00e1 show v La Fabrika<\/p>\n Divadlo, kter\u00e9 mus\u00ed p\u0159ij\u00edt, je dramaturgick\u00e9 (rozhovor s dramaturgicko-re\u017eis\u00e9rsk\u00fdm tandem SKUTR, s Martinem Kuku\u010dkou a Luk\u00e1\u0161em Trpi\u0161ovsk\u00fdm)<\/p>\n Z LEV\u00c9HO B\u0158EHU<\/strong><\/p>\n Martin \u0160vejda: Na konci \u010dty\u0159letky \u2013 Karel Kryl Zem\u011b Lhostejnost; Egon Bondy \u0160aman; Jan Balab\u00e1n Mo\u017en\u00e1 \u017ee odch\u00e1z\u00edme; Karel \u010capek Krakatit; Franz Kafka Prom\u011bna; Lars von Trier Idioti; William Shakespeare Hamlet \u2013 v\u0161e ve \u0160vandov\u011b divadle na Sm\u00edchov\u011b<\/p>\n INTELIGENTN\u00cd POP<\/strong><\/p>\n Vladim\u00edr Mikulka: Mezi mil\u00e1\u010dkem a hmyzem (\u00fasp\u011b\u0161n\u00fd rok Daniela \u0160pinara) \u2013 G.de Maupassant Mil\u00e1\u010dek a D.Adjmi Marie Antoinetta v M\u011bstsk\u00e9m divadle Kladno; DC Jackson M\u016fj romantick\u00fd p\u0159\u00edb\u011bh v Divadle P.Bezru\u010de; W.Shakespeare Hamlet ve \u0160vandov\u011b divadle a brat\u0159i \u010capkov\u00e9 Ze \u017eivota hmyzu v N\u00e1rodn\u00edm divadle.<\/p>\n REVOLUCE \u2013 OTEV\u0158I SE<\/strong><\/p>\n James Marshall: Revoluce ve v\u011bd\u011b, revoluce v um\u011bn\u00ed<\/p>\n Michal Zah\u00e1lka: …a nen\u00ed ani sv\u011btlo (abstrakce, absurdita, Ad\u00e1mek) \u2013 Martin Smolka, Ji\u0159\u00ed Ad\u00e1mek Sezname, otev\u0159i se, Dny nov\u00e9 opery Ostrava<\/p>\n A POHYB S REBELANTY<\/strong><\/p>\n Jana N\u00e1vratov\u00e1: Jenom tanec nesta\u010d\u00ed – Tanec Praha 2014 (Austr\u00e1lie, \u0160v\u00fdcarsko, Francie, Belgie, Kanada, Rakousko)<\/p>\n Martin Porubjak: Rebelantsk\u00e9 divadlo vo Wiesbadene \u2013 J.Pommerat: Znovuzrodenie obidvoch K\u00f3re\u00ed (Francie); J.H.Khemir: Vol\u00e1m svojho brata (\u0160v\u00e9dsko); G.Valais, A.Papoulia a C.Passalis: Neskor\u00e1 noc (\u0158ecko); O.Frlji\u0107 a s\u00fabor: Zoran \u0110in\u0111i\u0107 (Srbsko); K.Mundrucz\u00f3 a K.W\u00e9ber: Demencia (Ma\u010farsko); B.Pint\u00e9r: Na\u0161e tajnosti (Ma\u010farsko)<\/p>\n \u0158\u00cd\u0160E ST\u00cdN\u016e<\/strong><\/p>\n Zuzana Augustov\u00e1: St\u00edny (Elfriede Jelinek v Praze a V\u00eddni) \u2013 Divadlo MeetFactory a Burgtheter Wien<\/p>\n P\u0158I P\u00c1DU<\/strong><\/p>\n Vladim\u00edr Mikulka: Z \u0158\u00edpu do Macochy (Job Interviews Jiho\u010desk\u00e9ho divadla \u010cesk\u00e9 Bud\u011bjovice)<\/p>\n \u201eSkon\u010d\u00ed to t\u00edm, \u017ee se z nasr\u00e1n\u00ed stane apatie\u201c (rozhovor s Petrem Zelenkou \u2013 pokra\u010dov\u00e1n\u00ed \u0161est\u00e9, ptal se Karel Kr\u00e1l)<\/p>\n HRA PETR ZELENKA: JOB INTERVIEWS<\/strong><\/p>\n \u00a0<\/strong><\/p>\n COMEDY MIX\u2026<\/strong><\/p>\n Martin \u0160vehl\u00edk: Jurodiv\u00fd chasid; Moni Ovadia: Oylem Goylem \u2013 \u00faryvky z divadeln\u00ed inscenace, Milano, Teatro Lirico<\/p>\n KALEIDOSKOP: ze sv\u011bta divadla…<\/p>\n I KOMIKS HYNEK D\u0158\u00cdZHAL + PETR VODI\u010cKA: MORCEC & H\u00c1DRY (epizoda 5 \u2013 H\u00e1\u010dkov\u00fd \u0161krti\u010d)<\/p>\n","protected":false},"excerpt":{"rendered":" P\u00e1t\u00e9 \u010d\u00edslo XXV. ro\u010dn\u00edku \u010dasopisu o sv\u011bt\u011b divadla a divadle sv\u011bta vy\u0161lo v druh\u00e9 polovin\u011b…<\/p>\n","protected":false},"author":1,"featured_media":3858,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.12.2","language":"en","enabled_languages":["cz","en"],"languages":{"cz":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts\/2215"}],"collection":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/comments?post=2215"}],"version-history":[{"count":3,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts\/2215\/revisions"}],"predecessor-version":[{"id":3857,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts\/2215\/revisions\/3857"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/media\/3858"}],"wp:attachment":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/media?parent=2215"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/categories?post=2215"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/tags?post=2215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}