{"id":1661,"date":"2012-09-26T00:20:24","date_gmt":"2012-09-25T22:20:24","guid":{"rendered":"http:\/\/www.svetelnydesign.cz\/\/?p=1661"},"modified":"2019-07-14T11:06:13","modified_gmt":"2019-07-14T09:06:13","slug":"v-zari","status":"publish","type":"post","link":"https:\/\/www.svetelnydesign.cz\/en\/blog\/2012\/09\/26\/v-zari\/","title":{"rendered":"V z\u00e1\u0159\u00ed"},"content":{"rendered":"<div class=\"article_image\">\n<p>&nbsp;<\/p>\n<div><\/div>\n<\/div>\n<div class=\"perex\">\n<p style=\"text-align: justify;\">Festival videomappingu v Olomouci <strong>VZ\u00c1\u0158\u00cd\u00a0<\/strong>prob\u011bhl letos ji\u017e podruh\u00e9 a nutno \u0159\u00edci, \u017ee ve velk\u00e9m stylu. Akci velkou m\u011brou podpo\u0159ilo m\u011bsto Olomouc a d\u00edky Visegr\u00e1dsk\u00e9mu fondu nabyla mezin\u00e1rodn\u00edho rozm\u011bru. Po celou dobu trv\u00e1n\u00ed se t\u011b\u0161ila neoby\u010dejn\u00e9 div\u00e1ck\u00e9 podpo\u0159e. Produk\u010dn\u00ed t\u00fdm Kamila Zaj\u00ed\u010dka odvedl velice dobrou pr\u00e1ci &#8230; BRAVO!<\/p>\n<\/div>\n<p style=\"text-align: justify;\">Festival m\u011bl za c\u00edl zmapovat a p\u0159edstavit ve\u0159ejnosti sv\u011bt videomappingu v mezin\u00e1rodn\u00edm m\u011b\u0159\u00edtku. Podtextem festivalu bylo sv\u011btlo a sv\u011bteln\u00fd design v \u0161ir\u0161\u00edm kontextu, \u010demu\u017e odpov\u00eddal i bohat\u00fd doprovodn\u00fd program. Za zm\u00ednku stoj\u00ed v\u00fdstava <strong>Sv\u011btlo\/st\u00edn<\/strong>, kter\u00e1 p\u0159edstavila mlad\u00e9 tv\u016frce designu sv\u00edtidel. Drobn\u00e1 v\u00fdstava (pouh\u00e9 \u010dty\u0159i expon\u00e1ty) si udr\u017eela vysokou la\u0165ku kvality. Obzvl\u00e1\u0161\u0165 zaj\u00edmav\u011b p\u016fsobily dva kousky designov\u00e9ho studia <strong>\u017div\u00e9 v\u011bci<\/strong>, kter\u00e9 vytv\u00e1\u0159\u00ed interaktivn\u00ed a technologicky velice vysp\u011bl\u00e9 designov\u00e9 objekty reaguj\u00edc\u00ed na okol\u00ed. Interaktivita je zde \u0159\u00edzena platformou Ardulino, zdrojem sv\u011btla jak jinak &#8211; LED. C\u00edlem po\u0159adatel\u016f do dal\u0161\u00edch let je v\u00edce se zab\u00fdvat spojen\u00edm sv\u011btla a designu, co\u017e je ur\u010dit\u011b dob\u0159e.<\/p>\n<p>&nbsp;<\/p>\n<p>Dal\u0161\u00edm zaj\u00edmav\u00fdm po\u010dinem byl dvoudenn\u00ed workshop videomappingu pod veden\u00edm lektor\u016f <strong>Jana Bruknera<\/strong> a <strong>Vladislava Miklu\u0161e<\/strong>. Hlavn\u00edm partnerem d\u00edlny byla firma HP, kter\u00e1 zajistila \u00fa\u010dastn\u00edk\u016fm \u0161pi\u010dkov\u00e9 vybaven\u00ed. Prvn\u00ed den byl v\u011bnov\u00e1n pr\u00e1ci s programem Cinema 4D, z\u00e1klad\u016fm modelov\u00e1n\u00ed a animace, druh\u00fd den pak cameramappingu (p\u0159esn\u00e9 nastaven\u00ed virtu\u00e1ln\u00ed kamery). \u00da\u010dastn\u00edci si cameramapping vyzkou\u0161eli na jednoduch\u00e9m geometricky \u010dlen\u011bn\u00e9m modelu sc\u00e9ny a na z\u00e1v\u011br se sezn\u00e1mili s problematikou \u017eiv\u00e9ho odbavov\u00e1n\u00ed &#8211; tentokr\u00e1t v programu Resolume. Vrchol cel\u00e9ho workshopu se odehr\u00e1l p\u0159i z\u00e1v\u011bre\u010dn\u00e9m ve\u010d\u00edrku festivalu. Model z p\u0159edchoz\u00edho dne \u00fa\u010dastn\u00edci (Jan Mach\u00e1t a kolektiv) zrealizovali ve skute\u010dn\u00e9m m\u011b\u0159\u00edtku a bylo mo\u017eno si tak mapping vyzkou\u0161et na\u017eivo.<\/p>\n<p>Hlavn\u00ed n\u00e1pln\u00ed festivalu jsou, jak zn\u00e1mo, projekce na budovy. Ty jsou rozd\u011bleny do dvou sekc\u00ed \u2013 sout\u011b\u017en\u00ed a t\u00e9matick\u00e9. Soute\u017en\u00ed sekce je zam\u011b\u0159en\u00e1 na um\u011bleckou str\u00e1nku videomappingu a zad\u00e1n\u00ed je voln\u00e9. T\u00e9matick\u00e1 je ur\u010dena propojen\u00ed videomappingu a komer\u010dn\u00edho sektoru. Zde v podstat\u011b zad\u00e1n\u00ed ur\u010duj\u00ed jednotliv\u00e9 firmy \u2013 je na jejich rozhodnut\u00ed, jak moc mus\u00ed nebo nemus\u00ed b\u00fdt v projekc\u00edch p\u0159\u00edtomno t\u00e9ma (tzn.: jejich zna\u010dka, v\u00fdrobek, apod.).<\/p>\n<p>&nbsp;<\/p>\n<p>P\u0159\u00edpravy na festival za\u010d\u00ednaj\u00ed nejm\u00e9n\u011b p\u016fl roku dop\u0159edu, kdy si organiz\u00e1to\u0159i <strong>VZ\u00c1\u0158\u00cd<\/strong> vyb\u00edraj\u00ed a d\u00e1vaj\u00ed dohromady jednotliv\u00e9 t\u00fdmy a z\u00e1rove\u0148 oslovuj\u00ed firmy, kter\u00e9 p\u0159istoup\u00ed na spolupr\u00e1ci. Soub\u011b\u017en\u011b s t\u00edm prob\u00edh\u00e1 v\u00fdb\u011br t\u0159\u00ed budov na Horn\u00edm n\u00e1m\u011bst\u00ed v Olomouci a tvorba podklad\u016f pro mapov\u00e1n\u00ed &#8211; zam\u011b\u0159en\u00ed detail\u016f budovy a jejich 3D model vypracovan\u00fd v programu 3 scanning from jpg.\u00a0V\u0161echny t\u00fdmy (sekce sout\u011b\u017en\u00ed i t\u00e9matick\u00e9) dostanou podklady pro mapov\u00e1n\u00ed konkr\u00e9tn\u00ed budovy (p\u0159id\u011bleny losem). Sout\u011b\u017en\u00ed sekce nav\u00edc dostane popis budovy v\u010detn\u011b jej\u00ed historie \u2013 mo\u017enost v projekc\u00edch zohlednit specifi\u010dnost jednotliv\u00fdch budov.<\/p>\n<p>V\u00fdsledky pr\u00e1ce jednotliv\u00fdch t\u00fdm\u016f hodnotila odborn\u00e1 porota. A\u010dkoliv se nikdo z \u010dlen\u016f poroty videomappingem profesn\u011b nezab\u00fdv\u00e1, p\u0159in\u00e1\u0161ej\u00ed vhled p\u0159\u00edbuzn\u00e9ho um\u011bleck\u00e9ho oboru a st\u00e1v\u00e1 se tak obohacuj\u00edc\u00edm. Letos se porota p\u0159edstavila ve slo\u017een\u00ed: <strong>Aida Abbasov\u00e1<\/strong> (\u0159editelka Anifilmu &#8211; mezin\u00e1rodn\u00ed festival animovan\u00fdch film\u016f), <strong>Jan Holpuch<\/strong>(z\u00e1stupce m\u011bsta Olomouc &#8211; rezort kultury), <strong>David Hrbek<\/strong> (Muzeum Um\u011bn\u00ed Olomouc), <strong>V\u00e1clav Loubek<\/strong> (\u0161\u00e9fredaktor \u010dasopisu Sign &#8211; odborn\u00fd \u010dasopis o v\u00fdrob\u011b reklamy), <strong>Kl\u00e1ra \u017daludov\u00e1<\/strong> (Galerie NTK &#8211; N\u00e1rodn\u00ed technick\u00e1 knihovna v Praze).<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Ka\u017ed\u00fd sout\u011b\u017en\u00ed ve\u010der se p\u0159edstavil jeden t\u00fdm s t\u00e9matickou (ano, reklamn\u00ed) projekc\u00ed a jeden t\u00fdm mezin\u00e1rodn\u00ed (SK, HUN, NL) se soute\u017en\u00ed projekc\u00ed. Cenu div\u00e1k\u016f si odnesl tuzemsk\u00fd t\u00fdm s reklamn\u00ed projekc\u00ed Mercedes-Benz, t\u00fdm Adama Ligockeho. Porota rozhodla o v\u00edt\u011bzi t\u00e9matick\u00e9ho videomappingu, kter\u00fdm se stal \u010desk\u00fd t\u00fdm Michala Kupil\u00edka. Tento rok byla ud\u011blena tak\u00e9 zvl\u00e1\u0161tn\u00ed cena v kategorii t\u00e9matick\u00e9ho videomappingu a op\u011bt t\u00fdm Adama Ligockeho.<\/p>\n<p>Hlavn\u00ed cenu festivalu <strong>Vz\u00e1\u0159\u00ed<\/strong> z\u00edskal <strong>WERC<\/strong>, t\u00fdm z Holandska ve slo\u017een\u00ed\u00a0<strong>Jelle Valk<\/strong>, <strong>Olav Huizer<\/strong> a <strong>Joachim R\u00fcmke<\/strong>. V\u00edt\u011bzn\u00e1 projekce byla k vid\u011bn\u00ed v sobotu a prom\u00edtala se na budovu radnice. Vyj\u00e1d\u0159en\u00ed poroty k projekci t\u00fdmu WERC: &#8220;<em>Holandsk\u00fd t\u00fdm si n\u00e1s z\u00edskal za \u0161irokou \u0161k\u00e1lu n\u00e1pad\u016f opro\u0161t\u011bn\u00fdch od svazuj\u00edc\u00ed formy a za mno\u017estv\u00ed u\u017eit\u00fdch technik propojen\u00fdch s hravost\u00ed a sebeironi\u00ed.<\/em>&#8221;<\/p>\n<p><a href=\"http:\/\/www.facebook.com\/septembeam\">http:\/\/www.facebook.com\/septembeam<\/a><br \/>\n<a href=\"http:\/\/www.vzari.cz\/\">http:\/\/www.vzari.cz\/<\/a><br \/>\n<a href=\"http:\/\/vimeo.com\/werc\/videos\">http:\/\/vimeo.com\/werc\/videos<\/a><br \/>\n<a href=\"http:\/\/www.ziveveci.cz\/blog\/\">http:\/\/www.ziveveci.cz\/blog\/<\/a><\/p>\n<p>\u00a9 2012 <a href=\"http:\/\/www.facebook.com\/matejslezakphotography?group_id=0\">Matej Slezak Photography<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Festival videomappingu v Olomouci VZ\u00c1\u0158\u00cd\u00a0prob\u011bhl letos ji\u017e podruh\u00e9 a nutno \u0159\u00edci, \u017ee ve velk\u00e9m&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3873,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[1],"tags":[194,193],"translation":{"provider":"WPGlobus","version":"2.12.2","language":"en","enabled_languages":["cz","en"],"languages":{"cz":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts\/1661"}],"collection":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/comments?post=1661"}],"version-history":[{"count":4,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts\/1661\/revisions"}],"predecessor-version":[{"id":3872,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/posts\/1661\/revisions\/3872"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/media\/3873"}],"wp:attachment":[{"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/media?parent=1661"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/categories?post=1661"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.svetelnydesign.cz\/en\/wp-json\/wp\/v2\/tags?post=1661"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}